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　　1.Great comic artists assume that truth may bear all lights, and thus they seek to accentuate(強調)contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

　　答案：大喜劇家們認為真理需要各種啟示，因此他們開始強調社會活動中的各種矛盾，而不是掩飾或者通過非社會象征的神圣結局和喜劇目的、自然規律來超越它。

　　2.Roseenblatt's thematic analysis permits considerable objectivity; he even explicitly states that it is not his intention to judge the merit of the various works-yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results.

　　答案：Roseenblatt的主題分析非常有客觀性，他甚至明確地說他并不愿判斷各種作品的價值-但他的說法似乎有些不對頭，特別是有時贊美的嘗試可能產生有趣的結果。

　　3.In addition, the style of some Black novels, like Jean Toomer's Cane, verges on expressionism or surrealism(超現實主義), does this technique provide a counter point to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expression?

　　答案：此外，一些黑人小說的風格，像Jean Toomer的Cane，就接近于表現主義或者超現實主義，這種巧合是否給流行描述黑人主人公與命運對抗的主題提供了一個反襯點，或者經常被更加自然的表達模式所傳達的主題?

　　4.Although these molecules allow radiation at visible at wave lengths, where most of the energy of sunlight is concentrated, to pass through, they absorb some of the longer-wavelength, infrared emission(紅外輻射)radiated from the Earth's surface, radiation that would otherwise be transmitted back into space.

　　答案：盡管這些分子能夠透過可見光，陽光的大部分熱量?都集中在這個波段，但是它們吸收長波，從地表來的紅外輻射，或者將有些輻射折射回空中。

　　5.The converse observation, of the absence of grazers(食草動物)in areas of high phytoPlankton(浮游植物群落)concentration, led Hardy to propose his principle of animal exclusion, which hypothesized that phytoplankton produced a repellent(驅蟲劑)that excluded grazers from regions of high phytoplankton concentration.

　　答案：相反的觀察，即在浮游植物群落高度集中的地方缺乏食草動物的現象，使哈笛提出了他的“動物排除”理論，該理論假設浮游植物群落能產生一種驅蟲劑趕走在浮游植物高度集中區域內的食草動物。

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